Vienna Talk 2010 on Music Acoustics "Bridging the Gaps"      September 19–21

Alphabetical list of all Vienna Talk 2010 contributions

(A-B|C|D-F|G-J|K|L-M|N-P|Q-R|S-T|U-Z)Improvements on the use of maximum length sequences in acoustic pulse reflectometry
Noam Amir; Harel Primack

Abstract HTML

Characterizing and improving vibrato in the singing voice
Noam Amir; Ofer Amir; Irit Ronen

Abstract HTML

The neuromagnetic representation of the scale of instrumental tones in human auditory cortex
Martin Andermann; Andre Rupp

Abstract HTML

Robust 'any-time' music tracking
Andreas Arzt; Gerhard Widmer

Full Paper |  Abstract HTML

Small holes of wonder
Patricia Lopes Bastos

Full Paper |  Abstract HTML

In search for a source/filter model for brass instruments
James W. Beauchamp

Full Paper |  Abstract HTML

Perceptually correlated parameters of musical instrument sounds
James W. Beauchamp (Keynote)

Full Paper |  Abstract HTML

Tools for the analysis of acoustical and physiological characteristics of the singing voice
Ingrid Bendl

Full Paper |  Abstract HTML

Visualization of brass players’ warm up by infrared thermography
Matthias Bertsch

Full Paper |  Abstract HTML

An accent-based approach to automatic rendering of piano performance: Preliminary auditory evaluation
Erica Bisesi; Richard Parncutt

Full Paper |  Abstract HTML

What is Old Italian violin timbre?
Anders Buen

Full Paper |  Abstract HTML

Why do all brass instruments not sound the same?
Murray Campbell (Keynote)

Abstract HTML

Acoustics and signal processing in the development of music education software
Estefania Cano; Christian Dittmar; Sascha Grollmisch

Full Paper |  Abstract HTML

The characteristic sound of the oboe: Can it be played with a single reed and still maintain its tone colour?
Sandra Carral; Cristophe Vergez; Kees Nederveen

Full Paper |  Additional Material |  Abstract HTML

Victor-Charles Mahillon's theories on the construction of mouthpieces for brasswinds
Stewart Arlen Carter

Full Paper |  Abstract HTML

Parameter optimisation for woodwind single-reed models. (V. Chatziioannou, M. van Walstijn)
Vasileios Chatziioannou; Maarten van Walstijn

Full Paper |  Additional Material |  Abstract HTML

The effect of mouthpiece design on slurred transients in brass instruments
John Chick; Shona Logie; Lisa Norman; Stefan Bilbao; Murray Campbell

Abstract HTML

Bore reconstruction based on input impedance measurement
Marthe Curtit; Fazli Yahaya; Jean-Pierre Dalmont; Joël Gilbert; Olivier Cottet

Full Paper |  Abstract HTML

Influence of wall vibration on the sound of wind instruments
Jean-Pierre Dalmont

Abstract HTML

History of electro-musical instruments in Russia, first half of 20th Century
Ekaterina Davidenkova; Irina Aldoshina

Full Paper |  Abstract HTML

The violinist’s bestiary: characterizing bowing parameters of technical bow strokes
Matthias Demoucron

Full Paper |  Abstract HTML

Innovative aid for instrument making: a collaborative approach between workshops and research laboratories
Vincent Doutaut

Full Paper |  Abstract HTML

Describing and classifying timbre in the time-frequency domain
Monika Dörfler

Abstract HTML

Empirical Performance Analysis with the Magaloff Corpus: A Study of Performance Errors
Sebastian Flossmann

Abstract HTML

The Cello tailpiece: How it affects the sound and response of the instrument
Eric Fouilhe; Giacomo Goli; Anne Houssay; George Stoppani

Full Paper |  Abstract HTML

Neurobiological statistics for interpreting problems of musical consonance perception
Jobst P. Fricke

Full Paper |  Abstract HTML

Violin sound quality: nasality and clarity
Claudia Fritz

Abstract HTML

Expressive strategies and instrumental characteristics: A comparison between organ, harpsichord, and piano
Bruno Gingras

Abstract HTML

Analyzing finger motion in piano performance: Touch and tempo effects
Werner Goebl; Caroline Palmer

Additional Material |  Abstract HTML

Drum sets characterization in acoustic laboratory
Nicola Granzotto; Paolo Ruggeri

Full Paper |  Abstract HTML

Sensor fusion and multi-modal feedback for musical instrument
Tobias Grosshauser; Thomas Hermann

Full Paper |  Abstract HTML

Bowing gesture analysis for whom, why, and how?
Knut Guettler

Full Paper |  Abstract HTML

Hand-bell Mode Studies
Uwe J. Hansen; Thomas D. Rossing

Abstract HTML

Influence of the edge of the cast iron frame curvature on the spectrum of the piano string vibrations
Dmitri Kartofelev; Anatoli Stulov

Full Paper |  Abstract HTML

Transmission line modelling of acoustical systems with vibrating walls
Wilfried Kausel; Daniel W. Zietlow; Thomas R. Moore

Full Paper |  Additional Material |  Abstract HTML

Wave separation and non-linear effects during super-high note playing in brass instruments.
Jonathan Kemp

Abstract HTML

Radiation and reflection in a rectangular cross-section waveguide: finite difference simulation and theoretical frequency domain impedance.
Jonathan Kemp

Additional Material |  Abstract HTML

Valves under scrutiny. An acoustical and technical comparison of nineteenth-century valve types
Sabine Katharina Klaus; Robert Pyle

Abstract HTML

Human-computer analysis of musical sound mixtures
Bozena Kostek

Abstract HTML

Availibility of historic musical instruments for research
Jeannine Lambrechts-Douillez

Full Paper |  Abstract HTML

Combination tones in the violin
Angela Lohri; Sandra Carral; Vasileios Chatziioannou

Full Paper |  Additional Material |  Abstract HTML

Informed sound analysis for active music listening
Sylvain Marchand

Abstract HTML

An artificial excitation mechanism for an acoustical comparison of the hammered dulcimer
Alexander Mayer; Herbert Rust

Full Paper |  Additional Material |  Abstract HTML

Air column effects and direct radiation due to bell vibrations of a brass wind instrument
Thomas R. Moore; Daniel W. Zietlow; Wilfried Kausel

Abstract HTML

Visualizing structural vibrations using laser speckle
Thomas R. Moore

Abstract HTML

Characterization of coupled vibrations in the Caribbean steel pan
Andrew Morrison

Abstract HTML

The influence of bore size on brassiness potential
Arnold Myers; Robert W. Pyle; Joël Gilbert; Murray Campbell

Full Paper |  Abstract HTML

Effect of transverse acoustic flow on the input impedance of rapidly flaring horns
Cornelis J. Nederveen

Full Paper |  Abstract HTML

Towards the automatic annotation of large corpora of Classical music
Bernhard Niedermayer

Abstract HTML

The influence of the mouthpiece on the playability of early orchestral horns
Lisa Norman; John Chick; Arnold Myers; Murray Campbell

Abstract HTML

The influence of formants and noise parts on the perceived typicality of woodwind sounds
Michael Oehler; Marco Lehmann; Christoph Reuter

Abstract HTML

Possibility of ESPI visualization
Zdenek Otcenasek; Pavel Dlask

Full Paper |  Abstract HTML

Is it the player or is it the instrument?
Robert W. Pyle

Full Paper |  Abstract HTML

The influence of mouthpiece cup shape on "brassiness"
Robert W. Pyle

Full Paper |  Additional Material |  Abstract HTML

Jaco – A versatile tool for time-frequency processing with special operations
Christoph Reuter; Herbert Griebel

Full Paper |  Abstract HTML

Guitar making – the acoustician’s tale
Bernard Richardson

Full Paper |  Abstract HTML

Mode studies of plucked stringed instruments: Application of holographic interferometry
Bernard Richardson

Full Paper |  Abstract HTML

“He thought one of the parts was sung by a woman standing behind the instrument…”: Aesthetic perceptions of the eighteenth-century piano as a mediator between science and illusion
Maria Rose

Abstract HTML

Linear and nonlinear vibrations in plates, gongs, and steelpans
Thomas D. Rossing (Keynote)

Abstract HTML

Some optical methods for modal analysis of musical instruments
Thomas D. Rossing

Abstract HTML

Intonation, segmentation and emotional intensity in an atonal piece performance.
Monica Sanchez; Jose Ordoñana; Arantza Almoguerra; Ana Laucirica

Abstract HTML

Control and coordination in complex bowing patterns
Erwin Schoonderwaldt

Full Paper |  Abstract HTML

Investigating oboe manufacturing consistency by comparing the acoustical properties of five nominally identical instruments
David Sharp

Additional Material |  Abstract HTML

Physical modelling of the Sitar
Sadjad Siddiq

Full Paper |  Abstract HTML

BIAS industrial application and diagnostic of ROOTS blower
Jan Skala

Abstract HTML

Good Vibrations? The acoustical and musical effect of materials in the construction of brass instruments
Richard Smith

Abstract HTML

Studies of non-classical styles of singing
Johan Sundberg

Abstract HTML

Violinist in Balance
Crissman Taylor

Abstract HTML

The use of Volterra series for simiulating the nonlinear behaviour of musical instruments
Lamberto Tronchin; Andrea Venturi

Full Paper |  Abstract HTML

Comparison of three Chinese traditional Pipa music schools with the aid of sound analysis
Pei Ju Tsai; Sandra Carral

Full Paper |  Additional Material |  Abstract HTML

Carbon fiber composite, an alternative to brass (?)
Hannes W. Vereecke

Abstract HTML

Computation of wave distortion due to nonlinear propagation: application to brass instruments sound synthesis.
Christophe Vergez

Abstract HTML

On the use of intelligent computational methods for music performance analysis
Gerhard Widmer (Keynote)

Abstract HTML

Musical Acoustics of Water Crotales
Randy Worland

Abstract HTML

To the influence of the wall oscillations at brass instruments
Gunter Ziegenhals

Full Paper |  Abstract HTML

MusicJacket in the Wild – Development and Evaluation of a Wearable System to support Violin Bowing
Janet van der Linden

Abstract HTML