Acoustics and organology (St. Carter, H. Vereecke)
This session aims to provide a platform for scholars who are dealing with historical musical
instruments, such as: musicians, curators, restorers, instrument makers and acousticians.
In this session we welcome all papers located in the cross-over area between acoustics and organology.
show abstractsCarter; Stewart:
(Invited) / O | 'VICTOR-CHARLES MAHILLON'S THEORIES ON THE CONSTRUCTION OF MOUTHPIECES FOR BRASSWINDS' | |
Lambrechts-Douillez; Jeannine:
(Invited) / O | 'AVAILIBILITY OF HISTORIC MUSICAL INSTRUMENTS FOR RESEARCH' | |
| Bastos; Patricia: / P | 'SMALL HOLES OF WONDER' | |
| Carral; Sandra: / P | 'THE CHARACTERISTIC SOUND OF THE OBOE: CAN IT BE PLAYED WITH A SINGLE REED AND STILL MAINTAIN ITS TONE COLOUR?' | |
| Doutaut; Vincent: / P | 'INNOVATIVE AID FOR INSTRUMENT MAKING: A COLLABORATIVE APPROACH BETWEEN WORKSHOPS AND RESEARCH LABORATORIES' | |
| Fouilhe; Eric: / O | 'THE CELLO TAILPIECE: HOW IT AFFECTS THE SOUND AND RESPONSE OF THE INSTRUMENT' | |
| Klaus; Sabine: / O | 'VALVES UNDER SCRUTINY. AN ACOUSTICAL AND TECHNICAL COMPARISON OF NINETEENTH-CENTURY VALVE TYPES' | |
| Myers; Arnold: / O | 'THE INFLUENCE OF BORE SIZE ON BRASSINESS POTENTIAL' | |
| Norman; Lisa: / O | 'THE INFLUENCE OF THE MOUTHPIECE ON THE PLAYABILITY OF EARLY ORCHESTRAL HORNS' | |
| Richardson; Bernard: / P | 'GUITAR MAKING – THE ACOUSTICIAN’S TALE' | |
| Rose; Maria: / O | '“HE THOUGHT ONE OF THE PARTS WAS SUNG BY A WOMAN STANDING BEHIND THE INSTRUMENT…”: AESTHETIC PERCEPTIONS OF THE EIGHTEENTH-CENTURY PIANO AS A MEDIATOR BETWEEN SCIENCE AND ILLUSION' | |
| Vereecke; Hannes: / P | 'CARBON FIBER COMPOSITE, AN ALTERNATIVE TO BRASS (?)' | |
