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Vienna
Talk 2010 on Music
Acoustics "Bridging the Gaps" September 19–21 |
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Applications of musical sound analysis/synthesis including timbre perception (J. Beauchamp, S. Carral)
In this session we welcome all papers that present methods to describe, characterise and/or differentiate instruments by analysing the radiated sound they produce.
| Beauchamp; James: (Keynote) / O | 'PERCEPTUALLY CORRELATED PARAMETERS OF MUSICAL INSTRUMENT SOUNDS' |
| Buen; Anders: (Invited) / O | 'WHAT IS OLD ITALIAN VIOLIN TIMBRE?' |
| Fritz; Claudia: (Invited) / O | 'VIOLIN SOUND QUALITY: NASALITY AND CLARITY' |
| Kostek; Bozena: (Invited) / O | 'HUMAN-COMPUTER ANALYSIS OF MUSICAL SOUND MIXTURES' |
| Marchand; Sylvain: (Invited) / O | 'INFORMED SOUND ANALYSIS FOR ACTIVE MUSIC LISTENING' |
| Reuter; Christoph: (Invited) / O | 'JACO – A VERSATILE TOOL FOR TIME-FREQUENCY PROCESSING WITH SPECIAL OPERATIONS' |
| Cano; Estefania: / P | 'ACOUSTICS AND SIGNAL PROCESSING IN THE DEVELOPMENT OF MUSIC EDUCATION SOFTWARE' |
| Lohri; Angela: / P | 'COMBINATION TONES IN THE VIOLIN' |
| Tsai; Pei Ju: / P | 'COMPARISON OF THREE CHINESE TRADITIONAL PIPA MUSIC SCHOOLS WITH THE AID OF SOUND ANALYSIS ' |