Click here for a list of Vienna Talk 2010 presenters (in alphabetic order)
Time | Session | Presenter | Title |
---|---|---|---|
15:00–15:15 | Registration | ||
15:15–15:30 | |||
15:30–15:45 | |||
15:45–16:00 | |||
16:00–16:15 | |||
16:15–16:30 | |||
16:30–16:45 | |||
16:45–17:00 | |||
17:00–17:15 | Welcome Address | Wilfried Kausel, Gregor Widholm | 30 years Institute of Musical Acoustics (Wiener Klangstil) |
17:15–17:30 | Keynote Gerhard Widmer |
On the use of intelligent computational methods for music performance analysis | |
17:30–17:45 | |||
17:45–18:00 | Music | ||
18:00–18:15 | Poster Craze | M.Sanchez, M.Bertsch, W.Goebl, I.Bendl, E.Cano, P.J.Tsai, A.Lohri, M.Andermann, S.Siddiq, N.Granzotto, P.Bastos, S.Carral, B.Richardson, V.Doutaut, H.Vereecke, A.Mayer, P.Singh, D.Kartofelev, W.Kausel, V.Chatziioannou, N.Amir | Each poster presenter has 1 slide and 1.5 Minutes to announce or advertise the essence of the poster |
18:15–18:30 | |||
18:30–18:45 | |||
18:45–19:00 | Music | ||
19:00–24:00 | Welcome Party |
Grilled chicken, live music, and free beer... |
Time | Session | Presenter | Title excerpt |
---|---|---|---|
8:30–8:45 | Music performance and playing technique (W. Goebl, G. Widmer) |
Flossmann | Magaloff corpus |
8:45–9:00 | Niedermayer | Automatic annotation | |
9:00–9:15 | Arzt | Any-time tracking | |
9:15–9:30 | Gingras | Expressive strategies | |
9:30–9:45 | Bisesi | Accent-based approach | |
9:45–10:00 | Singing voice (M. Kob, N. Amir) | Amir | Vibrato in singing |
10:00–10:15 | Sundberg | Non-classical singing styles | |
10:15–10:30 | Coffee break | ||
10:30–10:45 | |||
10:45–11:00 | Applications of musical sound analysis/synthesis including timbre perception (J. Beauchamp, S. Carral) |
Keynote James Beauchamp |
Perceptually correlated parameters of musical instrument sounds |
11:00–11:15 | |||
11:15–11:30 | Buen | Italian violin timbre | |
11:30–11:45 | Fritz | Violin sound quality | |
11:45–12:00 | Kostek | Musical sound mixture | |
12:00–12:15 | Marchand | Active music listening | |
12:15–12:30 | Reuter | Jaco | |
12:30–12:45 | Lunch break | ||
12:45–13:00 | |||
13:00–13:15 | |||
13:15–13:30 | |||
13:30–13:45 | Timbre synthesis and perception (Chr. Reuter) |
Davidenkova | Electro-musical instruments |
13:45–14:00 | Dörfler | Timbre in time-frequency domain | |
14:00–14:15 | Fricke | Consonance perception | |
14:15–14:30 | Oehler | Woodwind sounds | |
14:30–14:45 | Rupp | Neuromagnetic representation | |
14:45–15:00 | Poster Session & coffee | ||
15:00–15:15 | |||
15:15–15:30 | Percussion instruments (T. Rossing) |
Keynote Thomas Rossing |
Linear and nonlinear vibrations in plates, gongs, and steelpans |
15:30–15:45 | |||
15:45–16:00 | Worland | Water crotales | |
16:00–16:15 | Hansen | Hand-bell | |
16:15–16:30 | Coffee break | ||
16:30–16:45 | |||
16:45–17:00 | Acoustics and organology (St. Carter, H. Vereecke) |
Lambrechts-Douillez | Availability |
17:00–17:15 | Rose | Aesthetic perception of piano | |
17:15–17:30 | Carter | Mouthpiece construction | |
17:30–17:45 | Klaus | Valves | |
17:45–18:00 | Myers | Bore size and brassiness | |
18:00–18:15 | Norman | Early horn mouthpieces | |
18:15–18:30 | Fouilhe | Cello tailpiece |
Time | Session | Presenter | Title excerpt |
---|---|---|---|
8:30–8:45 | Stringed instruments (E. Schoonderwaldt) |
Demoucron | Bowing parameters |
8:45–9:00 | Guettler | Bowing gestures | |
9:00–9:15 | Schoonderwaldt | Complex bowing patterns | |
9:15–9:30 | Großhauser | Supportive technologies | |
9:30–9:45 | van der Linden | Musicjacket in the wild | |
9:45–10:00 | Taylor | Violonist in balance | |
10:00–10:15 | Coffee break | ||
10:15–10:30 | |||
10:30–10:45 | Special topic: Nonlinear effects in wind instruments (M. Campbell) |
Keynote Murray Campbell |
Why do all brass instruments not sound the same? |
10:45–11:00 | |||
11:00–11:15 | Beauchamp | Source/filter model for brass | |
11:15–11:30 | Kemp | Wave separation | |
11:30–11:45 | Pyle | Mouthpiece shape | |
11:45–12:00 | Vergez | Wave distortion | |
12:00–12:15 | Tronchin | Volterra series | |
12:15–12:30 | Lunch break | ||
12:30–12:45 | |||
12:45–13:00 | |||
13:00–13:15 | |||
13:15–13:30 | Special topic: Wall vibrations and the sound of wind instruments (T. Moore, W. Kausel) |
Smith | Effect of materials |
13:30–13:45 | Pyle | Player or instrument? | |
13:45–14:00 | Moore | Bell vibrations | |
14:00–14:15 | Dalmont | Wind instruments | |
14:15–14:30 | Ziegenhals | Wall oscillations | |
14:30–14:45 | Coffee break | ||
14:45–15:00 | |||
15:00–15:15 | Physical modeling, optimization and bore reconstruction | Nederveen | Transvers acoustic flow |
15:15–15:30 | Curtit | Bore reconstruction | |
15:30–15:45 | Sharp | Oboe manufacturing consistency | |
15:45–16:00 | Chick | Surred transients | |
16:00–16:15 | Kemp | Rectangular cross-section waveguide | |
16:15–16:30 | Coffee break | ||
16:30–16:45 | |||
16:45–17:00 | Special topic: Optical imaging for musical acoustics (T. Rossing) |
Rossing | Optical modal analysis |
17:00–17:15 | Moore | Laser speckle | |
17:15–17:30 | Richardson | Holographic interferometry | |
17:30–17:45 | Morrison | Caribbean steel pan | |
17:45–18:00 | Closing ceremony | ||
18:00–18:15 |