VITA 2010

  Vienna Talk 2010 on Music Acoustics
"Bridging the Gaps"
      September 19–21


                 

Applications of musical sound analysis/synthesis including timbre perception (J. Beauchamp, S. Carral)

In this session we welcome all papers that present methods to describe, characterise and/or differentiate instruments by analysing the radiated sound they produce.

show abstracts

Beauchamp; James: 
(Keynote) / O
'PERCEPTUALLY CORRELATED PARAMETERS OF MUSICAL INSTRUMENT SOUNDS'
Buen; Anders: 
(Invited) / O
'WHAT IS OLD ITALIAN VIOLIN TIMBRE?'
Fritz; Claudia: 
(Invited) / O
'VIOLIN SOUND QUALITY: NASALITY AND CLARITY'
Kostek; Bozena: 
(Invited) / O
'HUMAN-COMPUTER ANALYSIS OF MUSICAL SOUND MIXTURES'
Marchand; Sylvain: 
(Invited) / O
'INFORMED SOUND ANALYSIS FOR ACTIVE MUSIC LISTENING'
Reuter; Christoph: 
(Invited) / O
'JACO A VERSATILE TOOL FOR TIME-FREQUENCY PROCESSING WITH SPECIAL OPERATIONS'
Cano; Estefania:  / P'ACOUSTICS AND SIGNAL PROCESSING IN THE DEVELOPMENT OF MUSIC EDUCATION SOFTWARE'
Lohri; Angela:  / P'COMBINATION TONES IN THE VIOLIN'
Tsai; Pei Ju:  / P'COMPARISON OF THREE CHINESE TRADITIONAL PIPA MUSIC SCHOOLS WITH THE AID OF SOUND ANALYSIS '
Banner Pictures: (c) PID/Schaub-Walzer